​Introduction

This project delves into the inner experiences of individuals suffering from bipolar disorder, inspired by the lived experiences of a close friend. Using immersive video art, it visualises the psychological states of mania and depression, aiming to foster understanding and empathy for a condition that affects millions globally. Bipolar disorder, with its alternating episodes of extreme highs and lows, presents a complex narrative of emotional turbulence, a theme central to this creative exploration.

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Objectives

The project seeks to:

• Represent the emotional landscapes of bipolar disorder through metaphor, visual elements, and auditory design.

• Simulate the internal experience of patients, immersing audiences in the extremes of mania and depression.

• Address the stigma surrounding mental health by encouraging deeper societal awareness and dialogue.

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Visual and Auditory Design

1. Visual Elements:

   • Narrative Symbolism: The story begins with the symbolic use of a hand, transitioning from depressive stillness to manic chaos. The progression is mirrored through bodily movements, overlaid with imagery of the Thousand-Handed Guanyin and the Four-Sided Buddha, reflecting suffering, transformation, and emotional duality.

   • Metaphors and Objects: Symbols such as roller coasters, blades, suffocating bags, and light-filled plants encapsulate the rapid mood swings characteristic of bipolar disorder.

   • Framing through Chinese Philosophy: The dynamic interplay between mania and depression reflects the concept of "Yin and Yang Eight Diagrams," representing the synthesis of opposing forces.

2. Auditory Design:

   • The soundscape mirrors the visual narrative, transitioning from whispered dialogues (depicting depression) to sharp, jarring sounds (illustrating manic episodes).

   • The discordant and irregular sound effects enhance audience immersion, conveying the internal chaos of bipolar disorder.

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Contextual Background

Bipolar disorder, with an estimated global prevalence of 60 million cases (WHO), is a recurrent and incurable psychological condition. In China alone, over 1.1 million individuals suffer from bipolar disorder, with alarmingly high treatment gaps: 92% of patients with severe mental illnesses remain untreated. The disorder has one of the highest suicide rates among mood disorders, with up to 50% attempting suicide and 15% succeeding.

These statistics highlight the critical need for greater understanding and empathy, which this project seeks to address through artistic representation.

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Inspiration and Theoretical Framework

• Artistic Influences:

  • Francis Bacon: His exploration of human suffering and psychological tension informs the visual language of the project.

  • Kintera’s All My Bad Thoughts: This artwork's visceral depiction of depression influences the immersive presentation of psychological distress.

  • Marina Abramović’s Rhythm 2: Inspired by her use of the body as a medium to explore mental states, the project integrates physical behaviour as a narrative tool.

• Philosophical Context:

  • Antoine Artaud’s Theatre of Cruelty theory underpins the project’s approach to exploring psychological extremes through sensory intensity.

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Research and Reference Material

1. Books:

   • Jamison, K. (1993). Touched with Fire: Manic-Depressive Illness and the Artistic Temperament. Examines the link between bipolar disorder and artistic creativity.

   • David, M. (2010). Bipolar Disorder. Provides insights into the aetiology and treatment of bipolar disorder.

2. Case Studies and Statistics:

   • Studies from Beijing Anding Hospital highlight the treatment gaps in China, emphasising the urgency of public awareness.

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Conclusion

Bipolar disorder is a condition of extremes, symbolised by a knife that alternately points outward in mania and inward in depression. Through visual metaphors and sensory-rich design, this project captures the essence of living with bipolar disorder, offering audiences a visceral understanding of its emotional landscape. By fostering empathy and challenging stigma, the work contributes to the broader discourse on mental health and the transformative role of art in representing invisible struggles.